The internet was abuzz last week with heated reactions to Thomas Jenkins’ far-from-rote review of Sarah Ruhl’s In the Next Room (or The Vibrator Play), currently playing in the Playhouse’s Cellar Theater. The play, a finalist for the 2010 Pulitzer Prize for Drama, includes a wet nurse named Elizabeth, whom Ruhl intended to be portrayed by an African-American woman. The Playhouse, however, cast an actress who's intended to be a Russian immigrant. According to Jenkins’ review, “a Playhouse representative reported that they tried but were unable to secure an African-American for the role."
The explanation grabbed the attention of the city's theater personalities, high and not so mighty alike.
Join Plaza de Armas to read the full article and access all of our content. Subscribe now or login.





